I’ve loved story for as long as I can remember. My earliest memories stem from childhood, when I was a mere tot of two. Day after day, Momma and I swung on the front porch of our downtown-Dayton home, surrounded by fragrant honeysuckle, shaded by tall boxwoods. That sheltered space was a haven for birds, bees, and other creatures, and the story? One Momma created, about a little girl and a kitten.

Maybe my love for story originates from these early recollections—both the particular story Momma told as well as our surroundings as Once upon a time unfolded on that Ohio porch. Perhaps it’s something else—an intrinsic passion deposited by our Creator. Whatever its origin, such directs me—as a reader and a writer—toward stories in which the natural world is woven throughout.

It’s why I love Laura Ingalls Wilder books—with her family’s adventures as farmers, their homestead on the Kansas prairie, and the sisters’ delight, discovered in fields of dancing wildflowers. I also love Gene Stratton Porter’s classic The Girl of the Limberlost with its infusion of both botany and biology, not to mention Wendell Berry’s poignant and beautiful Jayber Crow. A few more recent examples include Sugar Birds by Cheryl Grey Bostrom, Delia Owens’ Where the Crawdads Sing, and The Secret Life of Bees by Sue Monk Kidd.

Each of these authors captures the nuance, subtle and otherwise, of beauty in God’s created world, even if the writers themselves don’t personally acknowledge Him (though I would gently refer them to Romans, chapter one). Indeed, this sort of writing moves me most.

When I wrote my debut novel, Gideon’s Book, I desired to weave bits and pieces of the natural world into my dual timeline tale. Having read a beautiful novel by Vanessa Diffenbaugh called The Language of Flowers—including itsdictionary of flowers and their meanings—I determined to include a variety of flowers and herbs in Gideon’s Book as well, each added with intentionality, holding symbolism related to the overriding plot.

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Take, for example, my use of geranium. My protagonist, Cassie Billings, catches a whiff of this flowering plant while savoring a quiet moment on their porch with her husband. She sighs, “Geranium. It means true friendship… That’s us, Grant.”

Another example in Gideon’s Book is a simple bouquet, delivered by Cassie’s daughter. Cassie battles insecurity, questioning her purpose and God’s plan for her life. The gift of this nosegay, comprised of clover (“think of me”) and cinquefoil (“beloved daughter”), arrives at the perfect time, offering Cassie confirmation regarding both her worth and her future.

One final example (though there are more) is when Cassie arrives at her friend Fiona’s home in Eden, North Carolina. She’s about to embark on a journey, stepping into the past as part of a research project. As Cassie approaches Fi’s front steps, she recognizes a familiar fragrance. Inhaling, she smiles at the irony. After all, the rosemary she detects symbolizes “remembering.”

Again, perhaps that’s why I love story. Like my protagonist, I, too, remember—recalling nostalgic moments with Momma on the porch. Despite living in a bustling city, I was safe there on the swing, surrounded by God’s created world in its various forms, the symbolism of honeysuckle working its magic.

After all, each time Momma began, “Once upon a time, there was a little girl and a kitten…” I was swept away, carried by the power of her woven words, that which became a tapestry of characters, settings, and a plot that satisfied. And my “devotion” to story remains to this day, both as a reader and a writer.

So, how about you? What memories either fuel your love for story or direct your favored genre choices, those you savor most?

Meet Maureen Miller…

Maureen Miller is an award winning author with over twenty collaborations under her belt. She lives in NC with her husband of more than thirty years on a Selah farm with a selection of wonderful furry friends. She’s a ray of sunshine to know and you can learn more via her BRRC Profile page, or website.

And you can find more Pages of My Life, here.